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Reviewer: Foster Corbin
Attorney and former English Instructor
Atlanta, GA
I finished this fascinating book later the same day I
had read in my local daily newspaper that in 2001 a
former assistant basketball coach at the University of
Georgia had given a final exam for the only grade in a
"Coaching Principles and Strategies of Basketball"
course that consisted of 20 multiple choice questions.
Two of the 18 questions included how many goals are on
a basketball court and how many points does a 3-point
field goal account for in a basketball game. So
learning about teachers like Ms. Kirschenbaum provides
a much needed antidote for the latest news item about
education in Georgia. She begins this beautiful book
with the following statement: "I will never forget the
day that changed my life forever. [With the exception
of the wondrous first letter "I" which I cannot
describe, I believe those words are in burnt sienna] I
was teaching The Canterbury Tales when one of my
students raised her hand and asked, 'Ms. Kirschenbaum,
how come our books are not in color, like they used to
be?'" The author, for ten years a teacher of English
at the Bayard Rustin High School for the Humanities,
located just a mile or so from Ground Zero, set about
to find an answer to that question. The result is this
beautiful book of many colors, designed, written and
printed in a "feminine" very reader-friendly font that
Ms. Kirschenbaum herself designed.
Ms. Kirschenbaum has certainly done her homework.
There are 363 pages of text and another 50 or so
footnotes. The book is filled with quotations from
artists, writers and scientists about the significance
of color and all its ramifications. The writer
discusses the books before Gutenberg, though not
accessible to common people, that were always in
color. She also refers to the ancient Greeks, Chinese
and Eqyptians who invariably wrote in color. She gives
anecdotal evidence from her own teaching experience
that an overwhelming number of her students would
prefer reading, for instance, Homer, Poe et al in
"living color." I think the writer's two strongest
points are (1) we are fast losing a whole generation
of nonreading students to television, video games, and
movies, all in color and (2) because of digital
printing, books in color can now be produced
economically.
Ms. Kirschenbaum discusses many writers, some who
used color effectively in their prose, and others
whose works cry out for it: the artist and writer
William Morris, and William Blake, whom she describes
as the "only instance after Gutenberg of a great poet
and a great painter married into one magnificent
soul." On Emily Dickinson: "Her manuscripts are
bubbling with body language [in red letters] -- long
dashes, short dashes, angled dashes, crosses, pluses,
minuses, waves, curves, line breaks. . . " Finally the
writer makes a good case-- Faulkner himself wanted
it-- for THE SOUND AND THE FURY to be printed in
color.Ms. Kirschenbaum's theory of designer writing
has been well received except by some "academics."
(The quotations are mine.) "Some people in the academy
have refused to take me seriously because I teach high
school and not college; because I have only a master's
degree and not a doctorate; because I am not an Ivy
Leaguer; and God knows what else." One professor even
called her "Madame Nobody." She's in good company
since Miss Dickinson would say, "I'm nobody/who are
you?" And Robert Frost didn't have a Ph.D as I recall.
In addition to the brilliant illustrations and
colored images here, the text, almost all of it in
color, is clear and well written. And Ms. Kirschenbaum
is a great punster, both verbal and visual. She sold
me on this book when, in first thumbing through it, I
found a delightful visual pun at the beginning of the
footnotes.
What comes through in every page of this book, which
I cannot adequately describe, is that Ms. Kirschenbaum
is the most dedicated of teachers and decent of
people. "Whenever I visit a museum, I seem,
unavoidably, to be reminded of my mortality and of the
precious chance [red letters] I have been given, as a
young American woman, to make a difference in the
lives of others." Chaucer would have said of her,
"gladly did she learn and gladly did she teach."
You must see this book for yourself. I am at a loss
as to how to best describe it.
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